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How to Get Filthy Rich in Rising Asia

A Novel

ebook
1 of 1 copy available
1 of 1 copy available
"Mr. Hamid reaffirms his place as one of his generation's most inventive and gifted writers." –Michiko Kakutani, The New York Times
"A globalized version of The Great Gatsby . . . [Hamid's] book is nearly that good." –Alan Cheuse, NPR
"Marvelous and moving." –TIME Magazine
From the internationally bestselling author of The Reluctant Fundamentalist and Exit West, the boldly imagined tale of a poor boy’s quest for wealth and love 

His first two novels established Mohsin Hamid as a radically inventive storyteller with his finger on the world’s pulse. How to Get Filthy Rich in Rising Asia meets that reputation—and exceeds it. The astonishing and riveting tale of a man’s journey from impoverished rural boy to corporate tycoon, it steals its shape from the business self-help books devoured by ambitious youths all over “rising Asia.” It follows its nameless hero to the sprawling metropolis where he begins to amass an empire built on that most fluid, and increasingly scarce, of goods: water. Yet his heart remains set on something else, on the pretty girl whose star rises along with his, their paths crossing and recrossing, a lifelong affair sparked and snuffed and sparked again by the forces that careen their fates along.
How to Get Filthy Rich in Rising Asia is a striking slice of contemporary life at a time of crushing upheaval. Romantic without being sentimental, political without being didactic, and spiritual without being religious, it brings an unflinching gaze to the violence and hope it depicts. And it creates two unforgettable characters who find moments of transcendent intimacy in the midst of shattering change.
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    • Publisher's Weekly

      December 3, 2012
      Ambition rules in this playful third novel from PEN/Hemingway Award finalist Hamid (The Reluctant Fundamentalist). The novel follows the unnamed narrator’s journey from his village childhood to becoming a corporate superstar in the big city. The novel is told in the second person, the narrator ushering us through a life in an unidentified developing Asian country while elucidating the many conditions that must be met to become filthy rich. The hero seems to be on the right track; still, he must navigate the usual obstacles in life that could hinder the way to his final goal: family illness, bad luck, and most dangerously, love. The protagonist is merely a teenager when he meets his ideal woman, but this pretty girl’s life has a similar arc as the hero’s. Though readers may find it frustrating that they never overlap for long, the intermittent intersections provide them an anchor to the lives they left in desperation. The book takes its formal cues from the self-help genre, but the adopting of that form’s unceasing optimism also nullifies any sense of depth or struggle. Fortunately, Hamid offers a subtle and rich look at the social realities of developing countries, including corruption, poverty, and how economic development affects daily life from top to bottom. Agent: Jay Mandel, William Morris Endeavor.

    • Kirkus

      Starred review from May 1, 2013
      An extravagantly good alternate-universe Horatio Alger story for the teeming billions, affirming all that's right--and wrong--with economic globalization. "The whites of your eyes are yellow," writes Hamid (The Reluctant Fundamentalist, 2007, etc.), "a consequence of spiking bilirubin levels in your blood. The virus affecting you is called hepatitis E. Its typical mode of transmission is fecal-oral. Yum." The "you" in question is the unnamed protagonist, addressed throughout, unusually, in the second person through the fictive frame of a self-help book that is fairly drenched in irony. But, like Hamid's debut novel, Moth Smoke (2000), there's more than a little of the picaresque in this bildungsroman. As our anonymous hero comes of age and goes well beyond majority, he confronts the challenges not only of chasing out the hep E virus, but also of finding love, work and satisfaction in life--the stuff of everyday life everywhere. The younger subject's family lives in an overcrowded, urban slum in some unnamed South Asian nation--perhaps, to judge by a few internal clues, the author's native Pakistan, though he is careful not to specify--where his father's small salary as a cook ("he is not a man obsessed with the freshness or quality of his ingredients") is at least enough to fend off the starvation so many of their neighbors endure. The family, like many of the people our hero will meet, is displaced from the countryside, having followed an early lesson of the vade mecum: "Moving to the city is the first step to getting filthy rich in rising Asia." Indeed, he attains material success, but he's always just out of reach of the true love of his life--and if anything else, this exceptionally well-written novel is not about the Hobbesian grasping and clawing of first impression, but about the enduring power of family, love and dreams. Another great success for Hamid and another illustration of how richly the colonial margins are feeding the core of literature in English.

      COPYRIGHT(2013) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Library Journal

      October 1, 2012

      The title could come from one of those get-rich-quick books, and in fact Hamid imaginatively uses that genre's format to shape his narrative. But this is very much a novel, by the author of the Betty Trask Award-winning Moth Smoke and the best-selling, Man Booker-short-listed The Reluctant Fundamentalist. Here, the nameless protagonist goes from rags to riches as he builds a corporate empire based on that increasingly scarce commodity, water. He also crosses paths repeatedly and passionately with a pretty young woman on the rise. Hamid always manages to nail the realities of the culturally seismic post-9/11 world.

      Copyright 2012 Library Journal, LLC Used with permission.

    • Publisher's Weekly

      April 29, 2013
      Moshin Hamid’s novel follows a nameless protagonist who struggles to overcome poverty and find a life of luxury through a mixture of persistent hard work, luck, and, at times, questionable ethics. The entire book is told in the second person, which makes for a curious listening experience. Repeatedly hearing “you” is not something audiobook listeners are used to—but it works exceedingly well here because of Hamid’s skill as both a writer and narrator. His reading is deliberate and reserved, nuanced and subtle. This understated delivery contrasts strongly with the sometimes powerful and shocking content of the book. Still, it is a performance that drives the story forward, as listeners wait with great anticipation to learn what will happen to “you.” A Riverhead paperback.

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