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Life and Death of the American Worker

The Immigrants Taking on America's Largest Meatpacking Company

Audiobook
1 of 1 copy available
1 of 1 copy available
Winner of the J. Anthony Lukas Work-in-Progress Award, and a New Yorker best book of 2024, a "startling glimpse into the meatpacking industry's abuse of undocumented and incarcerated workers" (The New York Times Book Review) and those who had the courage to fight back.
On June 27, 2011, a deadly chemical accident took place inside the Tyson Foods chicken processing plant in Springdale, Arkansas, where the company is headquartered. The company urged everyone return to work, although the spill left their employees injured, sick, and terrified. Over the years, Arkansas-based reporter Alice Driver was able to gain the trust of the immigrant workers who survived the accident. They rewarded her persistence by giving her total access to their lives.

During the course of Alice's reporting, the COVID-19 pandemic struck the community, and the workers were forced to continue production in unsafe conditions, watching their colleagues get sick and die one by one. These essential workers, many of whom only speak Spanish and some of whom are illiterate—all of whom suffer the health consequences of Tyson's negligence—somehow found the strength and courage to organize and fight back, culminating in a lawsuit against Tyson Foods, the largest meatpacking company in America.

A richly detailed, fiercely honest, and deeply reported "tour de force" (Publishers Weekly, starred review), Life and Death of the American Worker will forever change the way we think about the people who prepare our food.
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    • Publisher's Weekly

      July 29, 2024
      The horrifying labor violations of meatpacking behemoth Tyson and the harrowing ordeal of the undocumented immigrant workforce that fought back are revealed in this shocking exposé from journalist Driver (More or Less Dead). The company’s ill-treatment of workers at a plant in Springdale, Ark., included startlingly unsafe conditions leading to accidents and subsequent cover-ups. In one incident, a toxic gas leak resulted in the hospitalization of 173 workers (managers insisted workers remain at their stations, even as some began to faint; afterward, the company forced workers to sign liability waivers). One of those workers, Plácido Leopoldo Arrue—whose story Driver follows closely—became seriously disabled by the exposure; he died of Covid in July 2020, likely made more vulnerable by the lung damage. Covid was the initial impetus for Driver’s project—in 2020, as meatpacking workers in cramped conditions fell ill, Driver began investigating. Her subjects were reluctant to communicate by phone, and so her story takes her on road trips across the South to conduct in-person interviews, an intrepid effort of gumshoe journalism resulting in an intimate, unprecedented glimpse of the lives of America’s undocumented workforce during the pandemic—which includes efforts by some workers to organize with a union and file lawsuits against Tyson. Throughout, Driver’s prose is sumptuous and empathetic (“Looking down... they see their faces reflected in a pool of blood,” she writes of workers on the assembly line). This is a tour de force.

    • AudioFile Magazine
      Lori Felipe-Barkin's narration brings listeners into the everyday life of a Salvadoran migrant worker, but there's something about him that isn't everyday: his repetition of chicken-killing motions while asleep. Alice Driver talked to Tyson Foods workers in Arkansas to report on the company's working conditions, including its reluctance to maintain Covid safety. Felipe-Barkin delivers accounts of a chemical leak at the plant dramatically to get listeners involved in the events. She makes the killing of chickens sound macabre and sharpens her tone to narrate the ingredients list for chicken nuggets. Driver also calls out politicians, whose relationships with the meatpacking industry she considers cozy. This audiobook may be enough to give listeners doubts at the supermarket. J.A.S. © AudioFile 2024, Portland, Maine

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